The work has not been graded but I like the output that was submitted to me. Is it possible for the same prof to do the next assignment I will be submitting? If possible, I will greatly appreciate it.
You will prepare and submit a term paper on Final Album Abbey Road by The Beatles. Your paper should be a minimum of 1750 words in length. John Lennon did not completely stand out on the album, although his compositions are remarkable: ‘I Want You (She’s So Heavy),’ which blends into a flurry of white noise. ‘Because,’ which presents several of the greatest symphonies the Beatles ever recorded. and, the groovy ‘Come Together’. Ringo, with his ‘Octopus’s Garden’, carried on with the aquatic escapade he had begun on ‘Yellow Submarine’ (Perone 32).
However, it is Paul who conquers the album. He presents a satirical performance with ‘Maxwell’s Silver Hammer’ on side one. Afterwards, he shows off his finest voice quality for “Oh! Darling” (Perone 32). On side two, Paul also manages the medleys, performing almost all the lead singings, starting the first medley with ‘You Never Give Me Your Money’, a gloomy depiction of the Beatles’ current financial and managerial difficulties. this shifts into the appealing, wistful ‘Sun King’ of John, then by a sequence of pen sketches: ‘Mean Mr Mustard’, ‘Polythene Pam’, and ‘She Came in Through the Bathroom Window’. All the songs were led by Paul (Womack 68). It is an exceptionally talented creation by musicians performing at the height of their careers, making it even more difficult to think that these same singers and composers would not collaborate ever again.
The Beatles may not have been the first popular rock band to own and use the synthesizers of Robert Moog. Nevertheless, as soon as the Beatles had obtained a Moog synthesizer, they took complete advantage of it on Abbey Road. Moog’s synthesizer can be heard obviously on a number of songs and furnishes the album an advanced rock sound, which enhances the pop, blues, rock, and singer-composer flairs that are also present all over the album (Holm-Hudson 218). Perhaps, one of the more delicate and successful applications of the Moog synthesizer of the period is in ‘Here Comes the Sun’ by George Harrison, the track that opens side two of the original album release of Abbey Road (Julien 44).
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