Hi, need to submit a 1250 words paper on the topic Louis Kahn’s Approaches to Architectural Form and Materiality. These skills enabled him to create some of the best works of architectural arts, whereby some of his most important works include the Kimbell Art Museum in Fort Worth, Texas (1966-72), the Salk Institute in La Jolla, California (1959-65), as well as the National Assembly Building in Dhaka, Bangladesh (1962-83). As such, the works of Louis Kahn exemplified the power of architecture (Kahn and Twombly, 67).

Louis Kahn is arguably one of the few architects from the 20th century who came to terms effectively with the challenge of defining an authentic, modern monumentality. He made several designs for sacred places for different religions, among them the mosques for Muslims, Churches for Christians, and Synagogues for the Jews. In his designs, Louis was particular to incorporate a combination of the ideas of assembly, as well as with the sense of the transcendent. One of the key features that Louis used to make his designs exemplary and unique was playing about with light, which he applied as an effective suggestion form an invisible order. As such, the architect managed to evoke the diverse origins of architecture and institutions by applying symbolic geometrics. Consequently, some of his best creations of architecture interpreted the contradictions for representation in a post-colonial state, as well as managing to fuse together successfully the Western and Eastern cultures.

The different works or architectural art is done by Louis Kahn represents several echoes of centralized types of diverse cultures and periods, which include Mogul Tombs, the Pantheon in Rome, the Buddhist Mandalas and Stupas, the medieval fortress of Castel del Monte, and the Bengali mosques of the Sultanate period. However, the architect managed to fuse and transform these varied diverse inspirations into a single active configuration of voids transverse by axes and laid out in a clear hierarchy. Another important style is evident in the architect’s works as recognized by observers.